Uncategorized

Foliage

adult backbone black and white dark

Photo by Pixabay on Pexels.com

Ever notice?

It means nothing to them?

those girls with peaches and cream, café au lait, peau de couleur foncée

their lush hair, plump calves, rosy cheeks

kiss us like they mean it with open mouth, little inquiring tongue

force of two coming together, chests heaving in sync

who knew straight girls could give so much in the heat of a moment?

unhooking bras, peeling underwear, knowing they’ll be kissed where

their boyfriends press with lack of ardor

for we girls are midnight foxes, we stay in places others only visit

fleetingly

complaining of neck pain, jaw pain, inability to know the ins and outs

oh we know the ins and outs, we know the inside curl and the convex

like a well drawn map

they pull their panties down for us so eagerly, we’d be fooled into thinking

they were of our same kind

save the removal of warmth, after all is reached and swept

beneath damp sheets for memory to play. Saying;

Goodbye, Bon Nuit. I must go now, it’s getting late, he will wonder why

I’m not at home with dry underwear

perhaps even opening herself to him, that very evening to atone

for her strung up, hidden outside pleasure

such is the girl who cannot love other girls and yet

finds only release in what they might know and give

surely one of the same mold knows, the key a little better

willing then, to bend and contort, stay for an hour in one position

without complaint

her breasts making dents of thin cotton, her fists curling like words out loud

the nape of her neck, slick and wet with her urge

she doesn’t reciprocate, her kind never will

she’s the impossible beauty, a girl who loves girls seeks

unattainable, disinterested, sinking to the floor in shame at

the concept of trading places

she’ll give you the time it takes to make her cry out

leave an imprint of her body against your mattress

the ink and glow of her skin a permanent reminder

she’ll never be one of you, nor wish

to lend you her heart

only her glorious body and all its angular expressions

only those afternoon moments

when he hasn’t pleased her or she

longs for your brand of deep caress, how you know

what to do to make her moan

fingers against fingers, thighs, hips, buttock

she is every shape of lovely from her arching neck

to the indent in her pelvis where she lets you stray

and play such secret music

things never to be admitted or spoken aloud

when you meet in public you are two women

buttoned up and indifferent like bleached wood

betraying nothing of her torn blouse or

the slide of her stockings from willing legs opening

how she pushes against you to enter her

fill with longing the bursting pulse within

you want to tell her you have loved her since

first meeting

when rain brought her to the library and shyly

you asked if she needed a towel and she replied

no I like to get wet, it never rains enough

her eyes grey and huge, like lamps in darkness

you think of teasing her hair from perpetual dampness

on her thin arms and how flung back they resemble

an instrument to be ravished

how you curl around her with your ardor and pressing

deeply fulfill your own needs against her loveliness

not shared, without return, a woman who will

pack herself away and leave by mail

like an unwritten postcard she is blank, unwilling

to be spoken

you stay in silence afterward

her breathing ragged, gasping you want to hear her

say I love you in every way, especially how you

set me alight with your touch and every time you

kiss me with your full lips I moan even more for

the core of your very heart

Lorsque tu résonne jusqu’à mon coeur

tu capture mon esprit pour le faire voyager

these things of torment

to a girl who loves other girls

and falls for a woman who is already

moving away

merely using your hands and your mouth

as if plucking leaves from a deciduous tree

to see if indeed they will

fall and stay

on the ground

 

Standard
life, poetry, prosetry, Uncategorized

Our dark house

feet tattoo

Photo by James Ranieri on Pexels.com

Step high into your shoes remember 1997

religion is in the wind and the climb of dark

you swoop around me like fabric and rage

we dance in weave with each other my eyes are

closed and see

how you want and how i want and how neither of us

shall never get what we need

i am loose shouldered and my hair is indigo in

the winter time where people close their doors and

you hammer me open against cold grass

lattice clocks pressing their time

henna tattoos, a marriage of dark and light

the sight of you in circled moon glow

our motion and our resurgence

the way young bodies climb and fall against

the future

bare feet on splintering wood you say

look how your shape echoes against that glass

and you take a photo in your mind as I hear

the fast train we missed, rushing past

leaving its tossed exhaust

I held your head in my arms you talked like

people do after they are spent

we pretend we know everything when we know

nothing

whirling silently in space

the fabric of the world is torn and gaping

like clothes ruined by a furtive need to

be pleased against rage and sadness

proffering bouquets of need hidden behind

retreating shorelines

it is the chemical of your blood and mine

swirling behind our eyes lying to each other

and the stones are hard even when you

spread a blanket on them

just like you said it would be mama

gathering my hair and watching it fall like

words cut from meaning against shadows

breasts that hold their secrets press against

the burning beneath

and the world is raining

and we are missing

cut out silhouettes

rubbing their imprint

in memory

Standard
poetry, prosetry, Uncategorized

This is dying / This is living

grayscale photography of two woman kissing

Photo by Fernando Favero on Pexels.com

Don’t say / that word

case we defame / or endanger

this moment / and the next

cresting night waves against recumbent shore

your arms molded from sand rise and fall

to my perpetuate weave

and we are

like flowers awaiting sufficient light

to open fully

a miracle each time the pallet of

senses born over with each song

held in my chest like women who wet their lips with the sore

chaff of flax before threading it into life

we make our reality

each elbow gracing air with untrained response

ballerinas finding satin undercoat

beneath dance

if leaves covered us, they’d say

Fall never ran out of color

your diminishing form as you lean away

gasping for air and back again into

perfect vision

there are only circles, nothing is

straight lined nor willing to beg for its supper

we two have earned our share of peace

many years of violence

the thrum and rub of pain is an ever

present crystal, hung against day

a kaleidoscope of far away places

we both realized that ache lying

just one layer beneath fevered skin

for you are

this enchanted place within me

a mirror of sea water washing over

the hardness I tried to place in armor

in lieu of a heart

your beneficence and the

arch of your neck bent in sleep

a field mouse of russet and dream

I would gather everything holy

pour the past down trilling drain

vanish with you into wings of night

two stars indivisible, our energy tracing

electric center of the other

this is dying and this is living

neither of us can mouth the enchantment

no longer necessary to verbalize motion

as birds gather their passage to dusk

swooping like dancers ushered from stage

and after everyone is gone

our love shall endure

a hidden thing

blazing brightly

in memoriam

Standard
life, poetry, prosetry, Uncategorized

Moving toward light

adult alone anxious black and white

Photo by Kat Jayne on Pexels.com

When I am sad, a voice, not unlike my own

chastises the impulse

if it is that, wishing to rise beyond, crush of emotion

when I am sad, I make myself sadder

by listening to those inherited echoes, telling me how I should feel

shutting down the validity, condemning feelings less than

knocking walls already fragile, disqualifying the emotion

when I am sad

I think of your disappointment

how much you wanted me to be

a thing of steel

reflecting only brightness

nothing dull or sorrowful

how I became in irony, almost everything you loathe and detest

I would say I am sorry, for your distress

but I learned instead of words, to be sad

maybe in part, because I saw, that flint in your eyes

nothing else was there

though in truth I was sad, at six years old

watching kids bully each other

knowing then, inequality and inequity

imagining the fight before I had, grown tall enough

hoping The Magic Faraway Tree

was real but knowing if it were

children grown to adults, would cut it down

when I am sad

sometimes it helps to think

love cannot be broken

by sadness or loneliness or grief

love stands as our first flower

even as it no longer exists the scent remains

to save us from disappointment

of so many other things

including each other and our infinite ability to be cruel

I am still the child with the blue rabbit

watching adults lie to each other

and kids emulate and pinch, the very stuffing out of hope

for if there is a Magic Faraway Tree

I think it would not be

for you or thee or me

like all magic things

only reveal itself to those pure hearted enough to know

sadness is manufactured by what we do to each other

with each cruel act it grows

if we let it and if we don’t

then next time I am sad

I will think on other things

like your voice and how

you make my heart quicken, just in your use

of words, the familiar cadence a worm

reaching deep into my heart

moving toward light.

Standard
fiction, life, poetry, prosetry, Uncategorized

For as we live, we hide the place we found

In polite society, I was born before 1999 and know

You oughtn’t make mention of wanting to be fucked

Then behind your clean starched mask, you tilt wildly

Stringing sentences with unevenly matched Japanese pearls

Wanting to reduce the sauce and toss your marrow

Spilling on good clean table cloth

Pent up urges

Good girls with breeding

Even those with tattoos and bar bells

Have no karaoke for the need to be sexed

It’s unacceptable

Unless you’re a muse of Mira Nedyalkova

To show your keening before nightfall

If indeed there is a room for

The un-beautiful cast offs

Dampening their secret gyrate

When the door bell chimes

And lust must be folded against bedtime book

Empty beds, careless marriages

They stopped touching you, as the record ended

Scratching against needle in the sleeping dark of disinterest

Still you had unquenchable thirst

Standing by the window watching swallows gather force

You thought of your own lost voice and that place

Between your legs aching to be emptied

Of a bright star

Only women past the loving hour

Who do not possess tight arse and foals legs

Can hope for nothing better than a vibration of their own hand

Where did you come from then?

As I zipped myself into a drawer and prepared my flattening

The ache of years, a library of unread self-possession

So long the gaze averted in the mirror, I only saw

A ghost and the moonlight, casting shadows in drawing gloom

You paid me a kindness

Took my urges to the silent place beneath time

Where I was a girl again, wet against your silky hand

And I felt your mouth measure my climb

Into the breast of a cloud, oxygen deprived, no cry is heard

But the cymbals of holding back are loosed

Falling a great weight, your fingers entwined into my roots

I waited beyond my lifetime for someone like you

To open my need, pull me into you, set me free

For as we live, we hide the place we found

Ourselves that first time the sky splitting wide

Beneath the tree with fingers inside, stroking to climax

That unbearable feeling of being alive

Standard