prosetry

The F Word

“What are you afraid of?” she asks, pen poised over the page of her notebook that is otherwise blank apart from my name and date of birth written at the top.

“Nothing,” I say, “I am fearless.”

“Come on now, everyone’s scared of something…”

I roll my eyes.

“Well, the thing that I was most scared of has happened. And it can’t happen again. So it’s all good,” I say, sticking both thumbs up.

“And that was…?”

“My dad dying.”

She says nothing, just stares at me. She wants me to elaborate but I don’t think she deserves to hear about my father. She has done nothing to earn it. She writes DAD DEAD in capital letters under my name and draws a circle around it twice.

“How has your mood been lately?”

“As it’s always been: oscillating wildly between extremes with no warning or explanation, no pattern or logic, no control or constraint,”

“So would you say that you ‘blow hot and cold’?”

“Yes. Hot and cold. The people around me would definitely agree with that. Cot and hold,”

As soon as it’s left my mouth, her lips curve upwards and £ signs appear in her eyes. Having been perched nervously on the edge of her chair, she now settles back into the cushion behind her, making herself comfortable.

“I meant ‘hot and cold’,” I say quickly, panicked, “not ‘cot and hold.'”

“Why do you think you said ‘cot and hold’ instead of ‘hot and cold’?” she asks wryly.

“Because I’m tired? Because I’m still drunk from last night? Because it’s an easy mistake to make?”

“I think there’s more to it than that, don’t you?”

“What, you think that my unconscious mind has sneakily revealed, without my permission, my innate longing for a better childhood, has hinted at problems since birth, has invited you to ask me about my mother and whether I was loved as a child?”

Were you loved as a child?”

“I made a mistake,” I say, firmly.

“Do you think that you were a mistake?”

“Jesus Christ, it was a simple slip of the tongue!”

“A Freudian slip,”

“Yes. No! No. I don’t know,”

“‘Cot’ and ‘hold’ evoke, in me anyway, images of babies, or those first few years of life,” she says, “do you agree with my interpretation?”

“I guess so, yeah, to some extent…”

She waits.

I am annoyed that she would waste a perfectly good page of a notebook by writing only 4 words and 6 numbers on it. There is more to me than my birthday and my dead dad.

“I didn’t have a cot when I was a baby. I slept in a fruit bowl,” I tell her, now annoyed at myself for entertaining her psychoanalyst nonsense.

“And do you remember your parents holding you? As a little girl?”

I am suddenly struck by the realisation that I have not one single memory of my mother holding me, or hugging me, or kissing me, or playing with me, or letting me sit on her lap. None at all.

“My dad held me,” I said, “there are photos. In all of the photos of me as a baby, it’s dad holding me, looking down at my squidgy face, beaming with pride and love and joy.”

“And your mother?”

I don’t say anything.

“Did your mother hold you when you were a baby?”

I look out of the window at the dying daffodils.

“Are there any photos of her holding you?”

With tears in my eyes, I shake my head.

Through gritted teeth I tell her, “I meant to say ‘hot and cold’ not ‘cot and hold.'”

She nods, places the pen on the arm of her chair, and twitsts the ring on her middle finger while staring at me with a searching look on her face.

We see out the final 17 minutes of the court-ordered appointment in silence.

On my way out of her office, I hover at the door. With my back turned to her, I tell her that I am scared of things. That I’m not fearless. That I’m scared, I’m frightened all of the time. That fear is eating me alive. The being alive terrifies me. She asks me again what it is that I’m afraid of. I tell her:

spilt milk
The Blue Meanies / policemen
tomato seeds
voices crackling through walkie-talkies
my brain
the inevitable death of Sir David Attenborough
being sectioned
my mother.

Then I close the door and walk over to the bored receptionist, a shabbily dressed guy who informs me, in perfect monotone as if reading from a script, that I’ve now completed my mandatory 5 hours of therapy and that I am free to go.

A silver thought flits through the dark behind my eyes: could it be that I don’t just need help but I actually want help, too? I think about making another appointment with the same lady, a voluntary appointment, one that I would actually engage in, one that might help me, might save me…

The guy stamps a sheet of paper, an official document declaring me to be sufficiently therapied and henceforth released from the care of the clinic, hands it to me and says, “Go on then. Bugger off!”

I take the paper from him and walk across the waiting room, thinking about his words. “You’re free to go.” I’m free to go. Free. To go. “Free.” After hearing the buzz of the security lock being opened, I push through the heavy double-doors. I’m not free. Not at all. Not in the slightest. “Fuck fear,” I say to myself, “I may not be free, but I am fucking fearless.” I drop my bag to the ground and run straight into the path of a speeding car. My final thought? “Free at last.”

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Uncategorized

Foliage

adult backbone black and white dark

Photo by Pixabay on Pexels.com

Ever notice?

It means nothing to them?

those girls with peaches and cream, café au lait, peau de couleur foncée

their lush hair, plump calves, rosy cheeks

kiss us like they mean it with open mouth, little inquiring tongue

force of two coming together, chests heaving in sync

who knew straight girls could give so much in the heat of a moment?

unhooking bras, peeling underwear, knowing they’ll be kissed where

their boyfriends press with lack of ardor

for we girls are midnight foxes, we stay in places others only visit

fleetingly

complaining of neck pain, jaw pain, inability to know the ins and outs

oh we know the ins and outs, we know the inside curl and the convex

like a well drawn map

they pull their panties down for us so eagerly, we’d be fooled into thinking

they were of our same kind

save the removal of warmth, after all is reached and swept

beneath damp sheets for memory to play. Saying;

Goodbye, Bon Nuit. I must go now, it’s getting late, he will wonder why

I’m not at home with dry underwear

perhaps even opening herself to him, that very evening to atone

for her strung up, hidden outside pleasure

such is the girl who cannot love other girls and yet

finds only release in what they might know and give

surely one of the same mold knows, the key a little better

willing then, to bend and contort, stay for an hour in one position

without complaint

her breasts making dents of thin cotton, her fists curling like words out loud

the nape of her neck, slick and wet with her urge

she doesn’t reciprocate, her kind never will

she’s the impossible beauty, a girl who loves girls seeks

unattainable, disinterested, sinking to the floor in shame at

the concept of trading places

she’ll give you the time it takes to make her cry out

leave an imprint of her body against your mattress

the ink and glow of her skin a permanent reminder

she’ll never be one of you, nor wish

to lend you her heart

only her glorious body and all its angular expressions

only those afternoon moments

when he hasn’t pleased her or she

longs for your brand of deep caress, how you know

what to do to make her moan

fingers against fingers, thighs, hips, buttock

she is every shape of lovely from her arching neck

to the indent in her pelvis where she lets you stray

and play such secret music

things never to be admitted or spoken aloud

when you meet in public you are two women

buttoned up and indifferent like bleached wood

betraying nothing of her torn blouse or

the slide of her stockings from willing legs opening

how she pushes against you to enter her

fill with longing the bursting pulse within

you want to tell her you have loved her since

first meeting

when rain brought her to the library and shyly

you asked if she needed a towel and she replied

no I like to get wet, it never rains enough

her eyes grey and huge, like lamps in darkness

you think of teasing her hair from perpetual dampness

on her thin arms and how flung back they resemble

an instrument to be ravished

how you curl around her with your ardor and pressing

deeply fulfill your own needs against her loveliness

not shared, without return, a woman who will

pack herself away and leave by mail

like an unwritten postcard she is blank, unwilling

to be spoken

you stay in silence afterward

her breathing ragged, gasping you want to hear her

say I love you in every way, especially how you

set me alight with your touch and every time you

kiss me with your full lips I moan even more for

the core of your very heart

Lorsque tu résonne jusqu’à mon coeur

tu capture mon esprit pour le faire voyager

these things of torment

to a girl who loves other girls

and falls for a woman who is already

moving away

merely using your hands and your mouth

as if plucking leaves from a deciduous tree

to see if indeed they will

fall and stay

on the ground

 

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life, poetry

As You Lay Dying

I got our ‘goodbye’ wrong.
All of those rehearsals and I got stage fright,
fluffed my lines, fucked it up on the big night.

What I said: Please, Dad, don’t die, I’m begging you, don’t leave us, don’t you dare fucking die on me, we need you, I need you, Dad, please hold on, don’t die, please, don’t let go, don’t die, don’t go

What I wish I’d said: It’s okay to let go, Daddy, it’s okay, you can let go, I’m here, I love you, you can let go now, you can let go, you’re safe, let go

There is no ‘next time’
in which I could get our ‘goodbye’ right
so I’ve been praticising our ‘hello again’,
making sure it’s perfect for the day we reunite.

@treacleheartx

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poetry, prosetry, Uncategorized

Present and glad

person with tattoo holds python

Photo by Sean Patrick on Pexels.com

We talk about the past

I used to like talking about the past

it was a favorite drink warming my hands

when Winter first called

this time what has gone before now feels

sad and heavy like wet wool blanket left to dry

in insufficient heat

it leaches the warmth from my lavender bones

I feel sorrow and weighted down by metal reminder

who was that girl? Who absorbed

grief and laid it on her arms in shapes and symbols

to be read years later by Rune interpreter

did she really? Think she had no worth

so much so the days became years and the pain

soaked so much of her blood she longed to eat

meat

you craved her up and steaming you fed on her

badly wound lassitude

she forgot herself as she pretended

love means forgiving time and time again

she forgot, she was worth something

that girl who didn’t have hands uplifting her from

the clamoring downpour

lost her way in cavorting storm

the spooling moon, a snake wrapped against tattooed branch

this way and that, the even keel of life forgotten

some days it took everything just to stand up

she mislaid the memory, she was not there to be crushed into

tiny pieces of herself and thrown for white breasted sea birds

to swallow whole

love should not force you to your thin knees

it should not destroy the tender parts of you

capable of feeling

fingers playing fiddles with tempura emotion

love is not a white flag of surrender

at times it needs to be a pirate ship

fast on its feet, answerable to nothing but

the truth of vanquished things

torn and shredded in haste

we talk about the past and

I used to like talking about the past

comforting me like a one-night-stand

until I became tired of hearing how I accepted

less and took nothing

raging against the dying light

life is after all

short and painful and full of unexpected turns

do not add to it by self-hate or diminishment

if I could go back in time, this is what I would say

to the girl who got used to having empty pockets

I would take her by the hand and remind her

you may have been broken or forged incompletely

darned with a yarn too coarse for fine needle

you may have been told this was your lot in life, you did not

deserve equality

but just as it seems true, the world will be submerged

when rain comes down pitiless and hard

it is not so

we rise then

we always rise

for one more chance and when it offers itself

hand in your bad habits and leave that moth eaten coat behind

take the tall steps upward

feel the sun on your throat

smile even as you don’t know

what lies around the corner

present and glad

for your very existence

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fiction

SCUM*

They are cooking a roast dinner. She is rifling through the drawers, searching for her favourite knife, and he is behind her, smashing some meat with a mallet.

“Carrot,” she says, to no one in particular.
“What?” he shouts over the thuds of hammer on flesh.
“Oh, nothing. I was just thinking aloud,”
“About what?”
“About these carrots,”

He stops.

“What about them?”

She has been good today. No outbursts, no tears, no troubling comments, no injuries, no nastiness. She has washed her hair, and brushed it. She has been writing a lot. She has had a glass of wine. Hopeful of her good mood, he anticipates an observation about the carrots’ phallic nature; perhaps even a dick-size joke, a cheeky comparison, the carrots being tiny, himself being too big.

“Carrot,” she says again, picking one out of the bag and inspecting it.
“Yeah?”
“Carr-ot.”
“Why are you pronouncing it weird?”
“Car-rot.”
“Is that how they say it in France?”
Ca-rrot.”
“Why are you saying it like that?”

He stares blankly at the back of her head, mallet in hand.

As she turns to face him, her knife catches the light.

“Carrot,” she says, slowly, “sounds like a blend of ‘garrote’ and ‘carotid.’”

Potential For Violence enters the room and stands between them. The three of them share a long, tense twenty-seconds together in the tiny kitchen.

“Oh gosh,” she says, suddenly, “I think I’ve been watching too many true crime documentaries lately!”

She laughs, eyes down, embarrassed. She replaces the knife with a glass of wine and sips with a wide smile.

“Yep!” he says, relieved, remembering why he loves her, “sounds like you’re right, babe,” he quietly places the mallet down on the counter, “so let’s watch some comedy on the box tonight then, shall we?”

Potential For Violence leaves the room as quickly as he arrived.

“Sure,” she replies cheerfully, and goes back to skinning the bright orange cocks.


*Society for Cutting Up Men

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