A Disgusting Tryst

Many years hence or was it yesterday

I dreamed of giving fellatio which is

never a good dream

and wondered why in the dream

a woman had a penis and I was

hoping by opening my mouth I would

be loved by that woman

there are myths and signs and wonders

even in nightmares

totems to the soul

speaking to our inner darkness

I thought of my chess pieces

how strategizing was never my thing

the mother who hated and was indifferent

the brain damaged father who struck out

in endless anger

and my own yearning for more

more, more, more, more

but when you have no more and that is it

you keep returning to the same place

hoping the outcome has changed

surely the definition of madness

resides very closely in that repetition

no release, release found often

under the pulse of music and movement

dancing away the scathing hurt

or beneath someone I pretended cared

fucking away never worked

it only hurt

more

never good at sharing

gods aren’t male, they’re

created by men for stroking

and controlling like canes can

be weapons or lovers

language shifts like time in grief

now as a grown ass woman

I dream of fellatio as a lesbian

women with penises torturing with

confusing potential

I carry the fetus who didn’t make it

like a scar across my withering chest

and my hormones shout

you haven’t got long left!

Get out there and strut your stuff

before you are truly as invisible

as a ghost

my grandmother if she were living

would tell me to bow to Jesus

because The Old God of the Jews

let us down

and was too angry

and it worked for her

she chain smoked on her way

to saving souls

and chucked the fag butts

out the window

at 80mph

because she knew

her Mormon friends would never

smell the scent of tobacco on her lips

because they didn’t get that close

nor the perfume of vodka

just an essence

I learned to like too much and recognize

drunk women and distant woman

the black and the white queens

chess pieces ravaged by their tendency to torment

as a way to even the odds

cultures eaten by death

I didn’t complete the act

it disgusted me then

as it does in my sleep

step out into a full moon

my other grandmother said

her hands are holding

red books of communism

and when she puts them down

her hands remain red

because she, like the girl in Brothers Grimm

her crime cannot be rinsed

it is found in the pigment of her abetting

the shape of a key burnt into flesh

guilty, guilty, guilty!

I loved her until I knew that

more than you should ever

love anyone

wanting to tell someone how

the ache approximates a bomb

in your heart when it grows large

but the Shrink left her post

abandoned our discussion

she didn’t have the teeth for it anymore

so many people broken

her dance card was full

mine was empty

what a fool I made of myself

for the fiftieth time

lighting candles with my rage

causing shadows to catch with flame

I still burn beans because

I forget I’m cooking when I’m thinking

of all the people who have come and left

now you’re getting married

and I wish you horror

because my bitterness isn’t all used up

the potential for regret is endless

here we waltz to the music of time

made of stars, wrought of cigarettes

and dark bars

I wore black since then because

the shape of knives can be hidden

better in velvet and if you try

to sink it in

I will have the last laugh

one more card to play

violence

dress yourself carefully

pay attention

just so, just so

here we go

Teeth

She looks down and sees her bottom jaw resting on the ground by her feet. Carefully, she picks it up to assess the extent of the ruin but it is clear: her mandible has entirely detached itself from her head and now sits quietly in the palms of her shaking hands. It half-smiles at her, just as it had done so many times before at handsome strangers and bad jokes.

As if newly erupted from the grip of the ivory bone, her teeth form a sparkling semi-circular row. She studies the teeth, noticing that, where they are not laced with blood and saliva, they are obscenely white, almost iridescent. With claret edges, her teeth look like menstruating pearls. They look delicate and indestructible.

She begins to run and so does the blood: it trickles through the gaps in her fingers, collecting in the crease of her elbow before dripping onto the pavement, leaving a trail behind her. The blood is gooey and viscous, and though it looks too dark to be fresh it keeps on flowing. A mess of bloody saliva pours from her jawless mouth, down her neck and settles in a sticky pool on her chest. When she tries to spit out the taste of rusty nails and panic, she discovers that she has no tongue.

The unfamiliar residential street is curiously busy for 3 a.m. and she knows a lot of the people that she passes. She stops to ask everyone she sees to help her to put her jaw back in place. She is met with bemused faces. She screams and shouts and begs but no sound emerges from her, just the occasional crimson gurgle. She looks pleadingly at the passers-by then looks down at the jaw in her hands, motions fitting the jaw back to her head and then looks back at her potential saviour, praying they’ll understand. They look at her with pity and faux-guilt, apologise and say things like, “Sorry, dear, I’m in a rush,” “I’m not a dentist, unfortunately,” and “Oh, I don’t really want to get involved.”

The fact that she can’t properly communicate to ask for help, or even find out what has happened to her, frightens her and causes her far more distress than the fact that her jaw has fallen off. She tries to communicate using her eyes; she is certain that her eyes must surely convey the horror, confusion and desperate need to be helped that she cannot speak aloud. But no: she is ignored and unsaved. Tears tumble down her cheeks, over her top lip and straight down to her chest to mingle with the rest of the mess of fluid. She tries to spit again and grows frustrated upon remembering that she can’t. She runs out of tears and sits under the glow of a streetlamp, with her bloody, perfect jaw beside her, and hopes for somebody to throw her a tissue at least.

Sometimes she wanders about the strange town for hours, begging for help through her eyes, frenzied, covered in blood and clutching her jaw in her hands, rocking it slightly as if it were an injured bird. Sometimes she gives up after a few minutes and resigns herself to living a life of silence, with only her bottom jaw for company. Sometimes she smashes her jaw against an orange brick wall, sometimes repeatedly, hundreds of times, but it always stays whole. Nobody ever helps. She no longer believes that someone will eventually come along and fix her because nobody ever has before, and she knows that if she expects nothing, she will never be disappointed, only ever pleasantly surprised. She remains mute and hungry and ugly and cries and cries and cries, but she never dies. She is, after all, built of the same matter as her jaw: she is delicate and indestructible.