fiction, photography

THE THICKET

Chris R-1-201 Image by Christine Renney

There was a wood directly behind the house and although Joseph had been living on the outskirts for almost a month he still had not ventured into this small but dense thicket. When he needed to make his way down into the village for supplies he would walk around it. There was a beaten track that began just beyond his garden and led straight into the trees but each time Joseph reached the edge and peered in he would find himself stalled and unable to take the next couple of steps. He could see that the path was very narrow and overgrown with bramble and gorse encroaching on either side and it seemed to him that it became even narrower as it disappeared into the darkness.

The others living on the outskirts were making use of the path. Joseph often noticed one of them pushing through the tangled branches and disappearing into them, or someone emerging head down and hunched over, laden with supplies. But once clear they would stretch and yawn, readjusting to the light and reacquainting themselves with the sky.
Just a few days ago one of these men had spotted Joseph watching from the window and, putting down his heavy bags, he had glared back. Looking down Joseph pretended to busy himself at the sink and when he raised his head again, the man was gone.

Following this incident Joseph began to imagine that the others were talking about him, that he was a topic of their discussion. He was sure they were perplexed as to why he continued to walk around, trudging in the wet grass of the meadow, rather than making use of the more direct path leading through the wood. Joseph was convinced they considered him a fool and were laughing at him. He began to keep his distance even more, as far as it was possible. But he continued with his chores, working in the gardens and chopping firewood and hauling supplies from the village. It took him a little longer but Joseph was working hard and doing his share and the others had no reason to complain.

Joseph has hardly slept in days. He creeps from the house and moves stealthily across the garden in the moonlight. Reaching the trees, he stands at the edge of the footpath. The others don’t use it after dark and certainly not at this late hour. Joseph is determined that tonight he will be able to do it, and steeling himself, he takes first one step and then another and suddenly he is walking through the wood. In fact, he is moving quite quickly, almost running and he can’t see but he can feel the brambles and the gorse brushing against his legs and pulling at his coat. And just as suddenly Joseph stumbles and he is down, flat on the ground. There are scratches on his hands and blood on his face and dirt in his mouth. But he isn’t hurt, not really, a little bruised maybe but no more than that and yet he can’t move. Joseph is now frozen to this spot and he wonders how far has he managed to come? Half way perhaps? But he suspects that it is considerably less than that.

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fiction, photography

FRAGILE

Chris R-1-181 Image by Christine Renney

I still intend to keep walking but the road now is a distraction. It has become too much, the noise and the lights at night.
There is a bridge up ahead and I wonder about all the others just like it that I must have passed. But I haven’t noticed and I haven’t looked until now and I am walking towards this bridge rather than alongside the road.
It looks fragile, like something I might have built as a boy with Lego or Meccano or perhaps even both. Forcing the pieces together and making them fit.
It is thin and narrow, a walkway linking the footpath on either side of the carriageway. And from where I am standing I can see this path snaking away from the bridge on the other side.
Moving closer I gaze up at the underside. The paint is peeling on the girders. Each time a car thunders past the whole thing shakes a little and flakes fall. Stepping back I watch this confetti of rusty scabs.
The bank here is concrete and steep and if I am going to get up there I will need to double back. And turning myself around I feel giddy and disorientated.

I am walking away from the road at last. The footpath is leading me across a field and through waist high corn or is it wheat? Anyhow, it is a sea of something and in this dull light it isn’t golden but brown.
I resist the urge to stop and turn. I don’t want to know how far I have managed to stray from the road, and whether or not I can still make out the signpost at the edge of the path. Instead, I focus on the field, on the corn or the wheat or the barley or whatever it is. I am aggravated by the fact that I don’t know. It is a little thing and yet it feels important, something that not only I but everyone should know.
Reaching out I trail my hand through the crop as I walk. Just a few months ago I could have unearthed the answer, quickly and easily, the means to do so at no more than an arms length. Tapping a few keys I would have gathered up the information, conjured the facts and figures, photographs and statistics onto a screen.
Stopping I realise that I am delving into my empty pockets. First my jeans and now my coat. I am searching for my phone. It is futile, I know, a pointless act because I remember quite clearly destroying it, the pulling apart and rendering it useless. Yet I can’t stop myself from looking and, using the palms of my hands, I start to pat myself down.
In my confusion, I turn and in order to stop this, to still myself, I start to move again and I am walking back. Toward the road.

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poetry

Feels

Feeling nothing is still a feeling
so is feeling numb (i.e. feeling unable to feel anything)
I have a hard enough time trying to survive with feeling tangible feelings,
let alone non-feeling feelings that make me feel as if I can’t feel anything at all
and ‘feel’ does not look like a real word anymore
but it must be real as I feel its definition swimming in my brain
(an organ which, actually, cannot physically feel)
and I feel sick of feeling all the feelings
I am sick of feeling sick
Fuck feeling feelings
I don’t want any
I don’t want a single one

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fiction, photography

SHRUNKEN

Chris R-1-172 Image by Christine Renney

I am stopping more often, and for longer, and I have places where I take cover and can hide. I have fallen into a routine of sorts and I know when it is most likely these places will be deserted and when it is least likely I will be noticed.
I shelter in the doorway of an abandoned shop and watch the rain. The storm is raging overhead and, looking up, I step out into it. In just a few seconds I am soaked through and my clothes are sodden and heavy.
The street is busy. I have misjudged this particular place at this time and shoppers caught in the downpour are rushing to and fro.
I turn back to the empty shop but someone brushes past me and a woman is now standing where moments before I had been. She is smiling, apologising, ‘sorry’, and moving to one side she motions for me to join her. ‘no’ I shake my head, ‘no’ but reaching she takes my arm and pulls me back and together we stand in the doorway watching the busy street.
Suddenly I am tired, exhausted and I feel overwhelmed. But it is more than the fatigue; I am also elated. I hadn’t realised I could still need this, that I could feel it again.
I move back and leaning against the glass I sit. The woman is looking down at me and delving into her bag she pulls out a ten pound note ‘here, go on, take it’.

I open my eyes. It is still raining. The street is busy and shoppers still rush this way and that. Have I been sleeping? If so, for how long? Has it been just minutes or hours? Is it possible I have slept right through, around the clock or thereabouts?
I glance at my wrist, pointlessly because I no longer have my watch but it is an old, old habit and remembering it now I feel odd.
The woman has gone but I still have the ten pound note she gave me balled in my fist. Standing, I thrust my hands deep into my pockets.
The jeans are too big and my t-shirt is too loose and ragged. I feel shrunken inside them and I sense that it has been more than minutes, that I have been in this dank doorway for too long and I should move on.
I step onto the street and walk calmly amongst the shoppers. Everything is wet out here and my clothes, the t-shirt and my heavy sodden jeans cling to my skin. At least until I can get dry they have taken on my shape again and carefully I make my way. Although I don’t know to where I keep walking.

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poetry

Elizabeth

she looked like a girl I knew
but stranger
a creature
dental-floss hair
ice in her eyes
tattoos on her toes
tequila on the tip of her tongue
where did she come from?
that whole afternoon
we told stories by the pool
about parents and books
and drugs and the moon
and smoked cigarettes on the beach
with the sea up to our knees
and shared hugs and kisses
and promises and secrets
and I told her
that I’d rather be happy and never write again
than feel this sad/bad/mad forever and have poetry in me
and she said no no no
you must love your pain, your sadness is you
and I told her
that I wished more than anything
that I had nothing to write about
that my notebook was empty
that my heart was good and full
that my life was simple and easy
that my brain was quiet and dull
and she said no, no way,
no way, that’s not true
oh Elizabeth,
my darling girl,
you have no fucking clue.

 

Originally published at Treacle Heart.

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poetry

My Own Ghost

I am being haunted by my own ghost;
after all, it is me and all my selves that I fear the most.

The spectre that loiters with intent
at the end of my bed is my own reflection,
clearer than any mirror.
She conjures a portal to our pasts
and cackles as she presses Play: there, by my feet,
a montage of my transgressions and overlooked indiscretions,
a projection of my ugliest traits and most deplorable thoughts,
all the things that I tried to bury deep but keep
on creeping up on me,
on display in perfect clarity for human-me to see
the worst aspects of me presented on a loop
through wicked, unsolicited reverie.

I have been disturbed, tortured, cursed
by the various versions of me that I hate the best,
the personalities that I present that never asked, never meant,
never wanted to be created but exist;
born out of malice,
mothered by hatred,
fed by abasement,
but, for now, diurnally sedated.

Sometimes solus,
sometimes en masse,
that old menace escapes
from the gaping crevasse in my brain,
they bring the noise, she brings the pain.
Ultraviolence through the night
and then, at daybreak, silence:
I am the only living creature on earth
but even I have abandoned me.
Only one more version of me left to destroy,
the best of the worst.
When she joins the rest of her selves
there’ll be no girl left to haunt.
I wonder what we’ll all do next.

Maybe when there’s no one left to blame
and you’re playing a losing game against your own brain,
it’s fair to say that I hurt me the most;
I am being haunted by my own ghost.

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prosetry

The F Word

“What are you afraid of?” she asks, pen poised over the page of her notebook that is otherwise blank apart from my name and date of birth written at the top.

“Nothing,” I say, “I am fearless.”

“Come on now, everyone’s scared of something…”

I roll my eyes.

“Well, the thing that I was most scared of has happened. And it can’t happen again. So it’s all good,” I say, sticking both thumbs up.

“And that was…?”

“My dad dying.”

She says nothing, just stares at me. She wants me to elaborate but I don’t think she deserves to hear about my father. She has done nothing to earn it. She writes DAD DEAD in capital letters under my name and draws a circle around it twice.

“How has your mood been lately?”

“As it’s always been: oscillating wildly between extremes with no warning or explanation, no pattern or logic, no control or constraint,”

“So would you say that you ‘blow hot and cold’?”

“Yes. Hot and cold. The people around me would definitely agree with that. Cot and hold,”

As soon as it’s left my mouth, her lips curve upwards and £ signs appear in her eyes. Having been perched nervously on the edge of her chair, she now settles back into the cushion behind her, making herself comfortable.

“I meant ‘hot and cold’,” I say quickly, panicked, “not ‘cot and hold.'”

“Why do you think you said ‘cot and hold’ instead of ‘hot and cold’?” she asks wryly.

“Because I’m tired? Because I’m still drunk from last night? Because it’s an easy mistake to make?”

“I think there’s more to it than that, don’t you?”

“What, you think that my unconscious mind has sneakily revealed, without my permission, my innate longing for a better childhood, has hinted at problems since birth, has invited you to ask me about my mother and whether I was loved as a child?”

Were you loved as a child?”

“I made a mistake,” I say, firmly.

“Do you think that you were a mistake?”

“Jesus Christ, it was a simple slip of the tongue!”

“A Freudian slip,”

“Yes. No! No. I don’t know,”

“‘Cot’ and ‘hold’ evoke, in me anyway, images of babies, or those first few years of life,” she says, “do you agree with my interpretation?”

“I guess so, yeah, to some extent…”

She waits.

I am annoyed that she would waste a perfectly good page of a notebook by writing only 4 words and 6 numbers on it. There is more to me than my birthday and my dead dad.

“I didn’t have a cot when I was a baby. I slept in a fruit bowl,” I tell her, now annoyed at myself for entertaining her psychoanalyst nonsense.

“And do you remember your parents holding you? As a little girl?”

I am suddenly struck by the realisation that I have not one single memory of my mother holding me, or hugging me, or kissing me, or playing with me, or letting me sit on her lap. None at all.

“My dad held me,” I said, “there are photos. In all of the photos of me as a baby, it’s dad holding me, looking down at my squidgy face, beaming with pride and love and joy.”

“And your mother?”

I don’t say anything.

“Did your mother hold you when you were a baby?”

I look out of the window at the dying daffodils.

“Are there any photos of her holding you?”

With tears in my eyes, I shake my head.

Through gritted teeth I tell her, “I meant to say ‘hot and cold’ not ‘cot and hold.'”

She nods, places the pen on the arm of her chair, and twitsts the ring on her middle finger while staring at me with a searching look on her face.

We see out the final 17 minutes of the court-ordered appointment in silence.

On my way out of her office, I hover at the door. With my back turned to her, I tell her that I am scared of things. That I’m not fearless. That I’m scared, I’m frightened all of the time. That fear is eating me alive. The being alive terrifies me. She asks me again what it is that I’m afraid of. I tell her:

spilt milk
The Blue Meanies / policemen
tomato seeds
voices crackling through walkie-talkies
my brain
the inevitable death of Sir David Attenborough
being sectioned
my mother.

Then I close the door and walk over to the bored receptionist, a shabbily dressed guy who informs me, in perfect monotone as if reading from a script, that I’ve now completed my mandatory 5 hours of therapy and that I am free to go.

A silver thought flits through the dark behind my eyes: could it be that I don’t just need help but I actually want help, too? I think about making another appointment with the same lady, a voluntary appointment, one that I would actually engage in, one that might help me, might save me…

The guy stamps a sheet of paper, an official document declaring me to be sufficiently therapied and henceforth released from the care of the clinic, hands it to me and says, “Go on then. Bugger off!”

I take the paper from him and walk across the waiting room, thinking about his words. “You’re free to go.” I’m free to go. Free. To go. “Free.” After hearing the buzz of the security lock being opened, I push through the heavy double-doors. I’m not free. Not at all. Not in the slightest. “Fuck fear,” I say to myself, “I may not be free, but I am fucking fearless.” I drop my bag to the ground and run straight into the path of a speeding car. My final thought? “Free at last.”

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life

30 Things To Do Instead Of Dying

Unorthodox coping strategies, distraction techniques and self-harm prevention methods that I have utilised when I’ve wanted to end my life but decided to stay alive:

1. Instead of punching somebody, scrub the shit out of your oven

2. Sign every petition on change.org

3. Give yourself a tattoo

4. Grab a cactus with all your might. Spend the following hour(s) tweezing the spikes out of your hand: it’s less of a pain, more of a major irritation. You will not be able to think about anything else, trust me

5. Reminisce on celebrity interactions, like when you touched George R. R. Martin’s beard in the lift, or when Tyra Banks approached you on a street in Barcelona and said, like Regina George, “You’re really pretty,” and you turned bright red and ran away, or the other night with that SAS guy off the telly with the laugh that didn’t reach his eyes, and wonder why these humans are rich and you are poor

6. Meditate by a motorway

7. Edit the Bible. Modernise it. Swap the names of the gospels, add topical references, update the 10 commandments. “Thou shalt not manspread on the Tube,” “Thou shalt get that bread,” “Thou shalt not be attracted to Ted Bundy,” etc.

8. Steal your neighbour’s cat: would kidnapping a cat be called catnapping? take a catnap. take some catnip. whatever, just… cat

9. Go to Poundland, pick up any random item, ask a member of staff how much it costs, be surprised when they tell you it’s a quid, repeat, repeat, repeat, until you are asked to leave

10. Tell young homeless girls that you were them once, that it doesn’t have to be forever, that it can get better

11. Go to a graveyard. Challenge yourself to find the oldest birth date and the oldest death date, and marvel at the curious causes of death that were engraved on Victorian headstones

12. Flirt with an old man, make his day

13. Get on a bus at the start of its route and stay on it until the end

14. Organise your carrier bag collection into 5p, 10p, 20p and £1 bags

15. Fall asleep in the bath: wake up choking on cold soapy water: your body won’t let you die right now so don’t even bother trying

16. TTT: tramadol, tequila and tomato soup

17. Dislocate your fingers

18. Throw your phone into the Thames. Throw your whole handbag into the Thames. Fuck it, throw your clothes and shoes into the Thames, JUST NOT YOURSELF

19. Start a fire

20. Find someone equally helpless and drag them to the nearest pub

21. Go to an AA meeting: shit coffee, free biscuits, great stories

22. Cut your hair (a bit of it, most of it, all of it, just chop chop chop (your hair instead of your arms))

23. Bet on a horse. You have to stay alive to see what happens, to see if you win. When the horse loses or dies, you’ll have a new thing to be angry or sad about

24. Pop your finger bones back into place (so satisfying)

25. Write a list naming everything and everyone you are afraid of, then eat it

26. Indulge in primal scream therapy on Hampstead Heath

27. Plant mysterious and/or sinister notes in library books

28. Revel in the fact that you are not a psychopath (yay you!)

29. Bake a cake

30. Eat it too


This post is in aid of Mental Health Awareness Week (UK)

I DO NOT recommend acting on the advice above (apart from perhaps baking and eating cake): the above points are just some things that I’ve done during severe mental health crises instead of self-harming or attempting suicide.

This is post was inspired by the coping strategies that the NHS recommend to me when I’m in crisis, techniques that (while they do help lots of people and thank god for that) unfortunately do not work for me. If one more health professional teaches me “how to count to 10” or tells me to “hold an ice cube” or “scream into a pillow” or “go for a run” or “do yoga” or “snap an elastic band on your wrist” I will snap. So this post is a response to the (ineffective and patronising) advice that mentally stable people give to unstable people when all they can feel is rage and sadness and hopelessness, and all they can think about is destroying themselves. Because sometimes breathing exercises just ain’t gonna cut it.

If you are struggling with your mental health or have any thoughts about ending your life, please seek help: from a doctor, health professional, family member, colleague, teacher, friend or even a stranger. If in crisis, call the emergency number.

Do not feel afraid or ashamed to ask for help. You are worth helping and you are worthy of life. If you know somebody who is battling mental health issues, reach out to them. Lending a sympathetic ear, giving somebody a hug or sending a simple text message could save someone’s life.

Let’s all be kinder to one another. Let’s be honest, patient, supportive. Let’s be good, good people, good human beings.

Mental illness costs lives. Kindness costs nothing. ♥

Click here for a list of International Suicide Hotlines.

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fiction, photography

TREMORS

Chris R-1-74 Image by Christine Renney

He wanted desperately to pinpoint when it began, the exact moment that he had felt the first tremor. But it hadn’t happened like that, suddenly and revelatory. No it had been slow.
Ever so gradually he became aware of something happening beneath his feet. Slowly he had become more and more attuned until he was able to anticipate when the next tremor would occur and, readying himself for it, he could prepare for the impact.

He wondered if there were others who felt the tremors and suffered as he did. He watched his family and friends. He studied people in the street, in the supermarket and on the bus, people anywhere and everywhere. He concluded that if they did, if there were others who felt the tremors, then they were much stronger than he and better at hiding it.

He sensed that he had always sensed them, subconsciously at first of course, and then consciously. They were buried deep down in the ground – the faintest of flickers, dying torches in the darkest mine shaft. The tremors hadn’t surprised him, hadn’t shocked him and this, in itself, was shocking. And now they were taking their toll and he could no longer stand firm and continue as if nothing was happening. He could no longer pretend

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fiction

THE KNIGHT PERHAPS

chris r-1-56 Illustration by Christine Renney

Cocooned in my parka, head down, I walk. I keep to the edges of the pavement and I follow the cracks between the slabs and in this way I cover my patch. I tug at my hood just to be sure; a habit I can’t, or won’t, break, and I scan the ground at my feet. When I spot a cigarette butt, a good one, I reach down and snatch it and place it in my pocket along with the others.
I must appear erratic, resemble a chess piece, the rook, or the knight perhaps, my movements awkward and jerky. Any progress I make is difficult to determine as I trek the board, seeming to endlessly fail at making my way across.
But I don’t raise my head and I don’t know if anyone is watching. I suspect that when I am noticed it is fleetingly and that they steer clear. I am just somebody scuffling, a scavenger.
There are plenty of cigarette butts but I only collect the good ones. The best are those that have been pinched or stubbed out before being dropped and not stamped upon. But I’ll take any that might still contain a little tobacco rather than just dry dust and ash. And I have become adept at spotting these and I know when to reach down and which ones to gather. Throughout the day I fill my pockets and when they are full I leave, I abandon the board.
I never stray far from the Centre now and I settle behind the bins at the back of Pound Saver. I empty my pockets and set to work, rubbing with my thumb and forefinger I remove the burnt tips. Stripping the paper away, I pull out all the good tobacco and without wasting a single stringy strand I drop it, one pinch at a time, into the tin. When it is full and the tobacco is tightly packed, as I roll the first cigarette, just fleetingly I am content.

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